Friday, October 28, 2011

Disney's The Little Mermaid


Disney's The Little Mermaid
Directed by: Bobby Garcia & Chari Arespacochaga
Venue: Meralco Theater, Ortigas Avenue Pasig City


Ariel, King Triton’s youngest daughter, has always longed to be a part of the human world. So when the evil sea witch, Ursula, grants her the opportunity to sprout legs and go after the heart of Prince Eric, she seizes the chance. But with Ursula working against her, she’ll need help from her friends and family if she is ever to see her dreams come true.
 
Reserve your seats now!
Ticket Prices:
Orchestra Center – P1500
Orchestra Side – P1350 
Orchestra Side (Corner Aisle Side) – P900 
Loge Center – P1100 
Loge Side – P1000 
Balcony Center – P700 
Balcony (Left/Right – Rows Q, R, S, T) – P600 
Balcony (Left/Right – Rows U, V, W, X) – P500
We are selling tickets for the following schedules:


December 8  (Thursday) – 8:00 PM 
December 10 (Saturday) -- 8:00 PM




Contact the following ticket sellers: 
Borgy Marzan (0922.888.5344)
Robert Marzan (0922.888.5348)
or Onay Sales (0918.536.2116)

Click here to view Dec 8 (Thurs) - 8PM Seat Plan:




Friday, October 7, 2011

A Next to Normal Life?


By Anton Diaz
Original Article can be found HERE

Life is Crazy
I realized that all of us live a crazy kind of life.

We turn into our own monsters at times, just  to cope with the pressure of everyday living.

The insanity is only made bearable by our family and friends.

When you are an employee, you long for the day when you own your own time and hit it big with your own business.

When you are an entrepreneur, you think of your more carefree employee days 
when you had a consistent salary and comfortable benefits.

You wish for a perfect family but instead you get a quirky one with little habits that annoy you at times.

You hate living a life of compromises.

We all have our personal crazy stories that we are afraid to share with other people because we might lose face.

Natalie sings it beautifully in the song, Maybe (Next to Normal)

"I don’t need a life that’s normal.
That’s way too far away.
But something next to normal,
Would be okay
."

Yes, I agree -- A Life Next to Normal is OK.



An Insanely Great Cast
Thank you to Menchu Lauchengco-Yulo, who played Diana Goodman (a woman struggling with bipolar disorder and grieving the loss of her son), for taking us on an emotional roller coaster ride that made us reflect on our lives.
Thank you to her powerful co-actor Jett Pangan (of The Dawn), who played Diana's ever-supportive husband Dan, for portraying our own hopes and struggles.


We are fans of Felix Rivera and have watched most of his shows. His performance as Gabe was chilling and crucial in the whole drama.
We were impressed with BlueREP alumna Bea Garcia's convincing portrayal of Natalie. It felt like the role was written with her in mind. Congrats to The not-so-invisible girl!


As for Pilipinas Got Talent’s Markki Stroem, who played Natalie's boyfriend Henry, we wished he could be at par with Bea. Anyway, there's always room for improvement.


Unexpected Plot
I was not expecting Next to Normal to be a rock musical-telenovela-drama. I was actually ready to laugh but I cried instead -- my first time while watching a musical.


The reason I love watching musicals is that I always look for that kurot sa puso. It's that feeling that hits you in your core and, if you are lucky, it can change you forever.


Next to Normal has that Rent-like kurot and the unconventional frankness of Avenue Q.


Maybe Brian Yorkey (author of the book and songwriter of the play) was right:

"What doctors call dysfunction
We tried to call romance
And true it's quite a trick
To tell the dancers from the dance
But rather than let chance take me
I'll take a chance"


Here's a toast to the crazies and to the chances we take in life!


Live an Awesome (but sometimes crazy) Life,

anton  signature 



Full Disclosure: We watched a complimentary press, showbuyers and friends-of-the-theater preview of Next to Normal last night.


P.S. Next to Normal returns for a limited engagement beginning tonight, October 7, 2011, until the 16th at the Carlos P. Romulo Auditorium in RCBC.


This play is a testament to how powerful theater can be -- not only does it tug on your heartstrings, it also calls you to action. Don't miss it!


Buy that ticket now from your makulit spammer/showbuyer friend...you won't regret it.




Catch Atlantis Productions' NEXT TO NORMAL (THE REPEAT)
on October 15, 2011 / Sat / 2PM @ RCBC 

Contact Us:
Onay Sales (0918.536.2116)
RC Marzan (0922.888.5348)
Borgy Marzan (0922.888.5344)
or  email: watchplays@yahoo.com

Seat Plan can be viewed here:
https://spreadsheets.google.com/spreadsheet/ccc?key=0Au4HQl0TAAC_dHR0OFpvWHZ2VUsxNzg2eTU1NWhFcmc&hl=en_US#gid=0




Tuesday, October 4, 2011

Next To Normal (The Repeat): 10 Days To Go

 
"This is the best production Atlantis has presented in its many years of producing theater...not with a mammoth set, a huge cast, and racks of elaborate costumes, but with simplicity and directness, and a cast of six wonderful actors whose sole purpose was to tell a good story."
- Lea Salonga


"What a lovely, painful play Next To Normal is."
- Boy Abunda


"Viewers will be inspired in the emotional roller coaster that is 'Next To Normal' as it presents the painful yet liberating experience of letting go of what causes us hurt, not just for the sake of ourselves but also for those that we love."
- Manila Bulletin

 
Catch Atlantis Productions' NEXT TO NORMAL (THE REPEAT)
on October 15, 2011 / Sat / 2PM @ RCBC 

Contact Us:
Onay Sales (0918.536.2116)
RC Marzan (0922.888.5348)
Borgy Marzan (0922.888.5344)
or 
email: watchplays@yahoo.com

Seat Plan can be viewed here:

https://spreadsheets.google.com/spreadsheet/ccc?key=0Au4HQl0TAAC_dHR0OFpvWHZ2VUsxNzg2eTU1NWhFcmc&hl=en_US#gid=0
 


Naked reactions


BY SAM L. MARCELO, Senior Reporter
Original Article can be found HERE 

REVIEWS ARE often written in retrospect; initial reactions are parsed and restructured with readers in mind. The language used in knee-jerk mobile-phone conversations is very different.
 
Included here are actual text messages that were sent and received while still reeling from the emotional punch of Next to Normal. Never meant to be published and minimally edited, they are unfiltered thoughts that are, at times, embarrassingly earnest.

Pardon the abuse of exclamation marks!!!, cuss words, emoticons and CAPITAL LETTERS. When you have a character limit, you have to take shortcuts.


March 11

AAH to SLM: Watched Next to Normal last night. Menchu was absolutely AMAZING! You have to see it. Visceral acting.

***


March 12, intermission

SLM to AAH: Gawd, this thing has made me cry several times already. I hope it has a happy ending.

FCR to SLM: When are you watching Next to Normal? :)


***

March 12, post-musical
SLM to FCR: Just finished. Fucking waterworks. So good!
AAH to SLM: Well?
SLM to AAH: Slayed! Destroyed! Perpetual lump in throat! Lip quivers and snotty sniffles! Two thumbs, eight fingers, 10 toes up!
FCR to SLM: Ah, so it’s worth it :) Ok :)
AAH to SLM: :)
SLM to FCR: Yes, it’s worth it! Let me know what you think when you see it.

SLM to AAH: Menchu was FAB all the way. Kudos to Jett Pangan, though. His part in the duet was unexpected. So raw. That part KILLED me.


AAH to SLM: You are so passionate about it. Wanna review it? :)

SLM to AAH: Nah. I’ll leave the reviewing to those who are wiser than I am. Right now, I wanna go home, hug my pillow and sleep. All I did was watch but I’m so drained! I wonder how the actors do it.

***


A few notes saved in SLM’s “Drafts” folder:

Menchu Lauchengco-Yulo = Dipped in awesome sauce.

Jett Pangan = Emotional anchor. When he loses his shit, so do we.


Break out the tissue!


Bea Garcia = Ellen Page-y.


Felix Rivera = Creeptastic Oedipal weirdo.


Jake Macapagal = ROCKSTAR.


I’m totally sapped. Much respect to the actors. Are they like Rachel Berry and Tinkerbell? Do they need applause to live? CLAPCLAPCLAPCLAPCLAPCLAPCLAPCLAPCLAPCLAPCLAP. 


Catch Atlantis Productions' NEXT TO NORMAL (THE REPEAT)
on October 15, 2011 / Sat / 2PM @ RCBC 

Contact Us:
Onay Sales (0918.536.2116)
RC Marzan (0922.888.5348)
Borgy Marzan (0922.888.5344)
or 
email: watchplays@yahoo.com

Seat Plan can be viewed here:

https://spreadsheets.google.com/spreadsheet/ccc?key=0Au4HQl0TAAC_dHR0OFpvWHZ2VUsxNzg2eTU1NWhFcmc&hl=en_US#gid=0
 
 
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Jett Pangan rocks the stage

(The Philippine Star)  
Original Article can be found HERE

Photo is loading...
Jett takes on the demanding role of Dan in Next To Normal, also starring Menchu Lauchengco-Yulo, with much sincerity, confusion and heartbreak.
| Zoom
MANILA, Philippines - It has been 10 years since Jett Pangan started performing with us at Atlantis Productions. And I am convinced that this man can do anything.

When I was looking for a singer/actor to take on the difficult role of Jon in Tick, Tick…Boom!, Jonathan Larson’s semi-autobiographical rock musical, Bettina Aspillaga suggested I call Jett Pangan in to audition for the role. Slightly weary because of his rock icon status (I knew he could sing but I wasn’t sure he had the discipline for theater), I called him in to audition. 

In came a really simple, pleasant, down-to-earth guy who really could sing a song like it was nobody’s business (and act it out at the same time). He didn’t bring with him any of his “rockstar coolness.” He just walked into the room with a smile and said he would love to do musical theater. And he knocked the ball out of the park as Jon. Sensitive, troubled, joyful and passionate, it was a performance that I still haven’t forgotten. Jett as Jon, sitting by a piano under the projected falling rain, singing Why with so much pain and confusion. It has become one of the most indelible musical theater moments in my career.

After Tick, Tick… Boom! Jett would go on to play some of the finest musical theater roles in Atlantis. His resumé reads like an eclectic mix of character roles and leading men that would have any New York City actor envious: Riff Raff in The Rocky Horror Show, James Thunder Early in Dreamgirls, Officer Lockstock in Urinetown, Nick in Baby, The Beast in Disney’s Beauty & The Beast, the adult male roles in Spring Awakening, Professor Callahan in Legally Blonde and, most recently, Dan in Next To Normal. How’s that for variety and unpredictability? And those are just the shows he has done with us. He has performed in numerous other productions for different theater companies in a varied number of roles making Jett the most versatile leading man in Philippine Musical Theater.

In every production of ours, Jett has jumped on board without knowing what the heck he was getting himself into. He just trusted me. And in every production, he has been a joy to work with. Professional, passionate, supportive and thrilled to be a part of the team, Jett is a director’s dream. Mix into that bag some of the finest singing and acting from any male theater performer, I count my blessings to have welcomed Jett into the Atlantis family 10 years ago.

Through the years of working together, Jett and his wife as well as their children have become family to me. We have been there for each other during the best of times…and, more importantly, during the worst. Perhaps that is an even greater gift than the joy of working together.

But the working together part is pretty awesome, too.  And Next To Normal was probably the best experience we have had together. When I was casting the show last year I only had two people in mind for the lead roles: Jett and Menchu Lauchengco-Yulo. No one else. I knew I couldn’t do the show without them. 

Jett sunk his teeth into the demanding role of Dan with so much sincerity, pain, confusion and heartbreak. He had everyone in the rehearsal room (and, eventually, in the theater) in tears by the time he got to his final emotionally climactic scene in Act 2. It is a performance unlike any other I have seen. The amount of truth and the simplicity of its delivery is what gets me every time. No screaming hysterics here. Jett says it all with a tender glance or a devastating look away.  His Dan is, in my opinion, a definitive performance. I am so proud of the work he has done and how he triumphed in what he himself will tell you is the hardest thing he has ever done in his career. Jett as Dan, cleaning away any trace of his wife’s attempted suicide and singing I’ve Been, has become another indelible musical theater moment in my career.

Now we get the chance to do it all over again as we prepare for the repeat run of Next To Normal. It will be a bittersweet run for all of us as I suspect it will be the last time we are able to gather the amazingly talented cast, that apart from Jett and Menchu, consists of Felix Rivera, Bea Garcia, Markki Stroem and Jake Macapagal. It was next to impossible to gather them for this brief repeat run and as everyone moves on to different projects, only a miracle will allow us to do this show again with everyone fully intact.

That is what makes theater so special: The impermanence of it all. It is alive while you are watching it and it is gone when you walk out of the theater. But it doesn’t leave you empty-handed. Good theater leaves you transfixed and transformed, long after the curtain has come down and you have left the theater. And Next To Normal is that kind of a show. It stays with you long after you have gone home and gotten on with your lives.

Right before the final performance of the first run of Next To Normal last March, Jett came up to me, hugged me and asked me if we could just keep running the show forever. He was joking of course, but I knew what he meant. The show has become so special to all of us who worked on it. It is a gift unlike any other. Like Jett, we all wish we could run this show forever and with each other. None of us have ever experienced anything quite like Next To Normal before. And we count our blessings that we are all able to come back and share the show with you one last time.

We hope to see you at the theater for this very limited repeat run!


Catch Atlantis Productions' NEXT TO NORMAL (THE REPEAT)
on October 15, 2011 / Sat / 2PM @ RCBC 

Contact Us:
Onay Sales (0918.536.2116)
RC Marzan (0922.888.5348)
Borgy Marzan (0922.888.5344)
or 
email: watchplays@yahoo.com

Seat Plan can be viewed here:

https://spreadsheets.google.com/spreadsheet/ccc?key=0Au4HQl0TAAC_dHR0OFpvWHZ2VUsxNzg2eTU1NWhFcmc&hl=en_US#gid=0
 


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It’s a mad world


BY SAM L. MARCELO, Senior Reporter
Original Article can be found HERE

THEATER
Next to Normal
Presented by Atlantis Productions
 

BIPOLAR DISORDER, drug abuse, suicide. On paper, Tom Kitt and Brian Yorkey’s Next to Normal seems like it wants to leave its audience a depressed mess of tears. "It’s been described as a ‘feel-everything’ musical and I couldn’t agree more," said Bobby Garcia, who is directing the rock musical. "I think everyone who sees it will respond differently depending on their own circumstances in life. Ultimately, it ends with hope and the possibility of change."



For the Manila staging of Next to Normal -- also the show’s first licensed English language production outside the United States -- Atlantis Productions assembled a dream cast headed by Menchu Lauchengco-Yulo as Dianna Goodman, a woman struggling with mental illness.

"It’s a very demanding, very emotional role," said Ms. Lauchengco-Yulo, who has been reading up on bipolar disorder. "I cannot claim to totally understand it, but I certainly have a great respect now for people who are bipolar. I just need to be focused and let the songs, which are almost all emotionally driven, affect me while I’m on stage. What’s so great about a role like this is that you really have to forget who Menchu is and find Diana."

She caught it twice on Broadway without having any idea what the story was about. She was lucky to catch Alice Ripley, who won a Tony Award for her turn as Diana, on one of those times. "It just blew me away," Ms. Lauchengco-Yulo remembered, adding that a story about a family -- a mother, father, daughter and son -- was something that anyone would be able to understand. "It will change how you see life."

Joining Ms. Lauchengco-Yulo are Jett Pangan, Felix Rivera, Bea Garcia, Jake Macapagal, and Markki Stroem. "I couldn’t imagine doing this show with anyone else," said Mr. Garcia, who had nothing but praise for his leads. He described Ms. Lauchengco-Yulo’s Diana as "a creation of breathtaking power and devastation" and Mr. Pangan’s Dan as "raw with emotion."

The director, who considers Next to Normal as one the most rewarding creative processes in his career, said that eclectic rock musical plays like an Indie film. "It is an extremely personal piece of musical theater; that’s where its power lies. Despite -- or because of -- its intimate nature, it has captured the hearts of audiences who have come to see it."

While it isn’t a glitzy Broadway musical with big production numbers, Next to Normal earned the 2009 Tony Award for Best Score and the 2010 Pulitzer Prize for Drama. The last time a rock musical won the latter was in 1996, when Jonathan Larson’s Rent took home the honor.

In an interview with Playbill.com, Mr. Kitt said that "Without Rent and Stephen Sondheim, there is no Next to Normal." Incidentally, the opening run of Next to Normal follows another theater company’s staging of Rent. Other symmetries: Michael Grief directed the original productions of Rent and Next to Normal; Mr. Garcia, meanwhile, directed the first Manila and Singapore productions of Rent in 1999 and is now taking on Next to Normal.

"I think Rent inspired a lot of musical theater collaborators to create musicals that were personal and powerful," said Mr. Garcia. " Rent showed us what the future of musical theater would be like and I think Next to Normal once again reminds us of this. It deals with themes that have never been dealt with before."

He continued that Next to Normal is a work of genius collaboration. "It has a full understanding of the evolution of musicals and where they need to head towards" he said. The production is, in a word, "extraordinary."


Catch Atlantis Productions' NEXT TO NORMAL (THE REPEAT)
on October 15, 2011 / Sat / 2PM @ RCBC 

Contact Us:
Onay Sales (0918.536.2116)
RC Marzan (0922.888.5348)
Borgy Marzan (0922.888.5344)
or 
email: watchplays@yahoo.com

Seat Plan can be viewed here:

https://spreadsheets.google.com/spreadsheet/ccc?key=0Au4HQl0TAAC_dHR0OFpvWHZ2VUsxNzg2eTU1NWhFcmc&hl=en_US#gid=0
 


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Roller coasters and musical theater


By Lea Salonga
Philippine Daily Inquirer
Original Article can be found HERE

I LOVE a good roller-coaster ride.

Last Christmas, my family went on an outing to Disneyland, the happiest place on earth. Later in the day, once my daughter had fallen asleep, Rob and I decided to ride on California Screamin' the huge roller coaster at California Adventure.

The ride began by being shot like a cannonball towards the first rise, only to be followed by numerous twists, turns and dives. The sheer speed and force wracked our bodies every which way for the duration of the ride. Although the ride can feel like several hours, it only lasted for about a minute.

It was exhilarating to be sure, and at its conclusion we found ourselves uttering these three magical words: Let's go again!

Built to code

It was great not having to worry. The coaster was built to code, adherent to stringent building regulations, as well as constructed with painstaking attention to detail under the strictest supervision. I knew that nothing would go wrong, which then gave me the freedom to enjoy the ride to its fullest. Sure enough, California Screamin' did not in any way disappoint.

It was similar to watching musical theater.

More than just a few times, I've been sorely disappointed by mediocre to lackluster performances: flat acting, bad singing and a complete absence of skill.

Thankfully, last Sunday, that wasn't the case. I headed off to RCBC Plaza to watch the final performance of Atlantis Productions' "Next to Normal." I had previously seen this show on Broadway the day before it won three 2009 Tony Awards.

I was a wreck at the end of the Broadway performance, and anticipated the same here.

The actors in the Manila production, I've either worked with or watched over the years, so I knew that I wouldn't be thrown by a bad note or hammy acting.

Newcomer Markki Stroem had a lovely singing voice and great stage presence as Henry. Bea Garcia as Natalie was a volatile bottle of angst and it was beautiful watching her explode.

Felix Rivera was ever reliable, maintaining full vocal and emotional control as Gabe. And although I would never presume Jake Macapagal to be a rock star, that was exactly what he projected-neon lights, high pitched screams and all.

Incredible actors

The emotional center of "Next to Normal" fell in the hands of two incredible actors: Menchu Lauchengco-Yulo and Jett Pangan.

I always expect Menchu to be amazing. After witnessing her transformations into Eva Peron in "Evita" and Mrs. Lovett in "Sweeney Todd," I knew that Diana's character would be a perfect fit for Menchu's level of skill. She was in great voice, whether she used her sweet soprano or a full belt, and fit Diana like a glove.

Jett Pangan is well known as the frontman of The Dawn, a day job that has him jumping about on stage, a veritable whirling dervish performing for a mad, screaming, often sweaty crowd. As Dan however, he was always the positive presence, the calm amid the storms, the rod to everyone's wild bolts of lightning.

Heartbreaking

Although at the beginning of the show Diana made reference to her keeping all the plates spinning, it was actually Dan who did, trying to keep his entire family from crashing to the floor. At the end of the musical when he finally broke down, no longer able to hold it all together, it was heartbreaking and devastating to watch. Without a doubt, Jett is one of the finest musical leading men to grace the Philippine stage, and I look forward to many more of his appearances.

I enjoyed this production more than when I first saw it, the music more familiar than it was two years ago. I must give credit to the people behind the scenes: Bobby Garcia's masterful direction, Chari Arespacochaga's clever musical staging, the great musicians led by Ceejay Javier and finally a sound system that did not make me want to strangle the sound person in charge.

This is the best production Atlantis has presented in its many years of producing theater-not with a mammoth set, a huge cast, and racks of elaborate costumes, but with simplicity and directness, and a cast of six wonderful actors whose sole purpose was to tell a good story.

In short, this show was built to code. And everyone in that audibly sobbing audience just sat back and enjoyed it. Guys, let's go again.


Catch Atlantis Productions' NEXT TO NORMAL (THE REPEAT)
on October 15, 2011 / Sat / 2PM @ RCBC 

Contact Us:
Onay Sales (0918.536.2116)
RC Marzan (0922.888.5348)
Borgy Marzan (0922.888.5344)
or 
email: watchplays@yahoo.com

Seat Plan can be viewed here:

https://spreadsheets.google.com/spreadsheet/ccc?key=0Au4HQl0TAAC_dHR0OFpvWHZ2VUsxNzg2eTU1NWhFcmc&hl=en_US#gid=0
 




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