Tuesday, February 19, 2013

D' Wonder Twins of Boac (PETA)

Article from http://3xhcch.blogspot.com
Original Article can be found HERE

"D' Wonder Twins of Boac" is the last offering of PETA for its 45th theater season. Writer Rody Vera adapted Shakespeare's "Twelfth Night" and transported the story to the Philippine movie industry of the late 1960s when the film studio system was already on the decline.  I found that a very interesting concept, and furthermore, it will star one of my favorite stage actresses Cris Villonco in the lead.  This was most certainly a must-watch for me.

Viola (Cris Villonco) and Bastian (Chrome Cosio) are the titular twins from Boac, who were a talented song and dance duo.  On their way to try their luck in the movie industry in Manila, their ship capsizes and the two were separated when they were lost at sea.  We later see Viola in Manila as a sampaguita vendor. When she hears that Campanilla Pictures were holding an audition for an Elvis movie, she gets the idea to dress as a boy named Cesar to try her luck.  

The owner of Campanilla Pictures, Don Orsino (Lex Marcos), wants to propose marriage to the recently-widowed Donya Olivia (Shamaine Centenera-Buencamino) of rival BLV Pictures, in order to unite their two studios.  He sends Cesar to be his emissary to Olivia. However, fate has it that Olivia actually takes a fancy to fair Cesar, not knowing that "he" was actually a girl in disguise.  By this time, Viola/Cesar was already falling in love with Don Orsino!

On the other hand, unknown to Viola, Bastian had long been in training as a movie stuntman, so it was inevitable that the twins' paths will cross one day.  However, how will Bastian figure in this already complicated love triangle entangled in a web-like comedy of errors that his cross-dressing sister is now involved in?

This whole absurd situation is hilarious as you can imagine.  The comedy worked back in Shakespeare's time and it works up to now.  The director Maribel Legarda, fresh from her directorial successes in other PETA hit shows "William" and "Care Divas," injected a lot more Pinoy comic touches to tickle the young audiences whom this play targets.  The theater was full-packed to the rafters with high school and college students and they were really howling with laughter in many scenes.

I have never seen Cris Villonco in a role like Viola before.  She was quite "cute" as Cesar.  Of course, she did not really look like a real man, but she looked like she was having a lot of fun doing it.  Her songs were  in a more pop voice and style, rather than the trilling soprano we are more used to hearing her sing in her previous shows like "Walang Sugat" and "Noli Me Tangere." Those scenes of Doc Orsino and Direk Luciano (Roi Calilong) teaching Cesar how to seduce a woman was very laugh-out-loud funny, as with that scene where Donya Olivia turns the tables on Cesar seducing moves.

Chrome Cosio's role as Bastian was not as extensive as Viola's.  His memorable highlight were those scenes with his stunts trainer, the sneaky Antonio (Riki Benedicto), that really brought the house down with laughter!  Chrome was not shy in showing off his physique, to the delight of the high school girls in the audience.  However, since he was showing his body off several times from the first song number to the last, it did look a little too repetitive, thus losing its novelty factor.

This is my first time to see the acclaimed Shamaine Centenera live in action. She was very fierce, funny and fearless as Dona Olivia.  She had a near wardrobe malfunction during the show I watched, but she survived it with aplomb.  Lex Marcos was debonair as Doc Orsino, but also very funny. I cannot imagine his alternate, the older Bodjie Pascua, to be better fit as Orsino than Lex.

A side plot involved Luciano, a low-brow director of masses-oriented "bakya" movies, and his nemesis Malvolio, who is a snobbish director of quality serious films.  The conflict between these two directors was also very interesting as it was funny.  The Malvolio character took time to warm up to the audience though, as played by Lao Rodriguez.  The supporting characters of Olivia's drunken Uncle Toma (Gie Onida), her foolish suitor Rudy Castelvi (Eric V. dela Cruz) and her secretary Maria (Kat Castillo) also had their funny moments.

The whole play worked out quite rollickingly fun. Well, that is, until the ending when they tried to inject something of a historical perspective as to what happens next in Philippine cinema.  In my opinion, it did not really end the show too well, as it felt like a totally different play.  There was that one moment when the audience fell silent also, so I think maybe they did not get it too.  This is only the first weekend though, and maybe they still tweak the execution of that scene a little in the coming shows.  In any case, after that momentary hiccup, the play recovered when the final song number came on and enlivened the stage again.


(photo credit:  PETA FB page)

When I entered the auditorium and took my seat, the first thing I noted was that the old stage was not there.  Instead there was a beautiful multi-tiered stage with a staircase going up to the balcony on one side.  There were now seats all around this stage.  This new stage made everything more exciting.
Congratulations to PETA, Ms. Maribel Legarda, Mr. Rody Vera and the cast and crew of "D' Wonder Twins of Boac" for this most innovative and originally envisioned Shakespearean play I have seen, after "King Lear" also by PETA just a couple of years ago.  May you continue to succeed in your mission to bring to the Filipino youth original interpretations of the Philippines' and the world's best literature!


 
Catch it on its closing weekend run
MARCH 2, 2013 / SAT / 8PM / PETA
Ticket Prices: 1000, 800 and 600
 
Contact Us:
Robert Ceazar Marzan  (0922.888.5348)
Jayme del Rosario (0927.202.2017)
  Onay Sales (0917.908.0565)

 

'D' Wonder Twins Of Boac' Theatre Review: A Homage To The 60S And Local Films

Article from http://www.showbiz-portal.com
Original Article can be found HERE

PETA THEATRE’s latest offering, “Wonder Twins of Boac', is a local musical based on William Shakespeare's classic comedy of errors and mistaken identity, “12th Night”. Written by Rody Vera with music by Jeff Hernandez, it’s an entertaining homage to the 60s and local films of the big studio era. It ends with the transition in local cinema from wholesome big studio made films to the “bomba era” of the early 70s made by independent companies.

There are many amusing allusions to actual showbiz celebs and events. A talent scout presents to a producer a picture of Nora Aunor, then a weekly champion in “Tawag ng Tanghalan”, as a possible build up star. The producer quickly dismisses Ate Guy “as maitim at maliliit ang biyas. Hindi sisikat yan.” We all know Ate Guy eventually became one of the biggest stars and greatest actresses in local film history.

Leading the cast of “D’Wonder Twins” is Cris Villonco who is great as Viola, doing her song and dance numbers with aplomb even if she’s a bit plump these days. Her role calls for her to pretend she is a man and one of funniest scenes shows a female producer falling in love with her. Chrome Cosio as her twin brother Bastian has less exposure but he nevertheless shines in his own numbers, particularly in that musical sequence where he trains to be a stuntman while his best pal, Antonio, makes a pass at him. There are a lot of gay references in the play and, in the end, the gays, both male and female, lord it over in running local showbiz, which is really the case now.

Giving great support are Kuya Bodgie Pascua as Doc Orsino, producer of Campanilla Films (representing Doc Perez of Sampaguita Pictures), Gail Billones as Donya Olivia of BLV Films (representing Donya Sisang of LVN Pictures), Lao Rodriguez as Malvolio the pa-class director, Roi Calilong as Luciano the pa-masa director and Eric de la Cruz as Cebuano actor Rudy Castellvi. One showstopping number is the quest for Elvis Presley lookalikes, but the best song for us is the finale number involving the whole ensemble, “Ang Pelikula ay Isang Panaginip”. Cris also shines in her solo number, “Mahal Ko Siya”. You have up to March 3 to catch it. Let’s all support local theatre.


 
Catch it on its closing weekend run
MARCH 2, 2013 / SAT / 8PM / PETA
Ticket Prices: 1000, 800 and 600
 
Contact Us:
Robert Ceazar Marzan  (0922.888.5348)
Jayme del Rosario (0927.202.2017)
  Onay Sales (0917.908.0565)

 

How Shakespeare’s ‘Twelfth Night’ became the twilight of old Pinoy cinema

By Amadis Ma. Guerrero
Inquirer Lifestyle
Original Article can be found HERE



England’s Poet Laureate John Masefield once called “Twelfth Night” “the happiest and one of the loveliest of all Shakespeare’s plays. Mirth here is so mingled with romantic beauty that few can tire of it.” 


Why, the Oscar-winning film “Shakespeare in Love”, starring Glyneth Paltrow and Joseph Fiennes, was “an imagined back story” to this celebrated tale.

The fable revolves around the twins Viola and Sebastian who are lost in a shipwreck and believe each other to be dead. Olivia disguises herself as a boy, calls herself “Cesario” and works for the Duke Orsino, who is in love with Lady Olivia (who, in turn, falls for “Cesario”).

Between Viola and Sebastian (who turns up later in the play) swirl a lot of colorful characters who are always up to some mischief or intrigue.

Lady Olivia’s uncle, Sir Toby Belch, who is angry at her steward Malvolio for the latter’s perceived insubordination, leads him to believe Olivia is in love with him, and causes him to act in a bizarre manner. As a result, poor Malvolio is imprisoned.

At the end, the twins are joyfully reunited; Malvolvio is released but vows vengeance.

Successful production

This is the bare plot (not in the least complete) which translator Rody Vera has adapted for the Philippine Educational Theater Association (Peta), inventively situating it within the Philippine movie industry during the late 1960s, just before the “bomba” (sex flicks) rage.
And the production succeeds, thanks to the audacity Peta is known for.

“D Wonder Twins of Boac,” with music by Jeff Hernandez and direction by Maribel Legarda, is on at the Peta Theater Center (behind the Quezon City Sports Club;  call 7256244) until March 3.

It stars Cris Villonco and Chrome Cosio as the twins Viola and Bastian, Shamaine Centenera (alternating with Gail Billones) as Donya Nepomuceno, Bodjie Pascua (alternating with Lex Marcos) as Doc

Orsino Villar, and Gino Ramirez (alternating with Lao Rodriguez) as Malvolio.

The year is 1967. The fable this time casts Viola and Bastian as singer-dancers who want to make it big in Manila. Following the story line, they are shipwrecked on the way from Boac, Marinduque, to the Big Apple, and separated. Viola-Villonco disguises herself as a boy (Cesar) who becomes an assistant to the big-time studio mogul, Doc Orsino (Pascua), head of Campanilla Pictures.

Donya Olivia (Centenera) falls in love with “Cesar,” mistaking him for a boy. And so on.

Wicked satire

The play emerges as a wicked satire on the movie industry, with a lot of one-liners that went over big with the audience during the press preview. Any resemblance to real-life personalities is unintended (probably).

There are hilarious sequences, like regional Elvis Presley wannabes auditioning and dancing (with regional accents and expletives), and a wrestling match between two stunt men (hunks Cosio and Riki Benendicto) with homo-erotic overtones.

Playing against type, Centenera as the hotsy-patootsie Donya Olivia makes every scene count. Villonco is an appealing Cesar although she may not look masculine enough, and Cosio oozes with sex appeal.

At the end, Malvolio announces that, to end the movie industry’s problems of declining box-office receipts, the “bomba” era has arrived.

“‘Twelfth Night’ does not have a happy ending,” notes Vera.

So the coda has the characters turning serious and—in “American Graffiti”-style—predicting what they will become years from now. The one comic element has the prudish Malvolio announcing that he will become chair of Movie and Television Ratings and Classification Board! 

 
Catch it on its closing weekend run
MARCH 2, 2013 / SAT / 8PM / PETA
Ticket Prices: 1000, 800 and 600
 
Contact Us:
Robert Ceazar Marzan  (0922.888.5348)
Jayme del Rosario (0927.202.2017)
  Onay Sales (0917.908.0565)

 

Monday, January 28, 2013

Rivalry: Ateneo - La Salle, The Musical (The Second Round)



The original Filipino musical “Rivalry” attempts to take the legendary competition between Ateneo and La Salle from the basketball court and into the performing arts stage. 

In a nutshell, “Rivalry” revolves around two families in 1968: the Valencias with its star Atenean basketball star, Paco (O.J. Mariano) and member of the Social Order Club, Quito (Red Concepcion); and the Basilios, with the La Salle court heartthrob Tommy (Mako Alonso). Incidentally, the Valencia boys and Tommy are actually cousins. Tommy and Quito, despite coming from opposing schools, are the best of friends.

Along with the fight between the two ballplayer cousins and their respective fathers for the honor and glory of their schools being the 1968 NCAA basketball champions, Tommy and Quito find themselves falling for the same girl.
 

Cast members also include Noel Trinidad, Athena Tibi, Cara Barredo, and Joel Trinidad. 

Produced by The 4th Wall Theater Company
Lyrics by Joel Trinidad 
Music by Ed Gatchalian 
Book and Direction by Jaime del Mundo


 
Catch RIVALRY on its closing weekend run!
FEBRUARY 16, 2013 / SAT / 8PM / MERALCO THEATER
 
Contact Us:
Robert Ceazar Marzan  (0922.888.5348)
Jayme del Rosario (0927.202.2017)
  Onay Sales (0917.908.0565)


TICKET PRICES: 
Orchestra Center - P1500  
Orchestra Sides - P1300 
Loge Center - P1250 
Loge Sides - P1100 
Balcony Center - P800 
Balcony Sides - P500

Tuesday, January 8, 2013


PETA opens 2013 with another musical you'll surely love!  
Take a trip down memory lane as PETA adapts William Shakespeare's Twelfth Night into a flavorful swinging sixties musical!
Celebrate the fun and freedom of this decade and enjoy this tale of love, confusion and mistaken identity.  

'D Wonder Twins of Boac mixes 60s fashion and music under the setting of the late 60‘s Philippine film industry--during a transition after the golden years of local cinema. 

Cast includes Shamaine Centenera Buencamino, Anna Cristina Villonco, Bodjie Pascua, Juliene Mendoza, Arnel Ignacio and Chrome Cosio to mention a few. 

This modern adaptation is 
written by notable playwright and theater actor Rodolfo Vera, 
directed by PETA Artistic Director Maribel Legarda 
(the woman behind Care Divas & William) 
with music by Jeff Hernandez.  


 

 
Catch it on its closing weekend run
MARCH 2, 2013 / SAT / 8PM / PETA
Ticket Prices: 1000, 800 and 600
 
Contact Us:
Robert Ceazar Marzan  (0922.888.5348)
Jayme del Rosario (0927.202.2017)
  Onay Sales (0917.908.0565)

 






Wednesday, December 19, 2012

D Wonder Twins of Boac


PETA'S 
D WONDER TWINS OF BOAC
Adapted from William Shakespeare’s 12th Night
MARCH 2, 2013 / SAT / 8PM / PETA
Ticket Prices: 800 and 600

 Director: Maribel Legarda
Writer: Rody Vera
Music: Jeff Hernandez

 
Contact Us:
Robert Ceazar Marzan  (0922.888.5348)
Jayme del Rosario (0927.202.2017)
or Onay Sales (0917.908.0565)

 

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SYNOPSIS
            Adapted from William Shakespeare’s 12th Night, Ang Kambal centers on mistaken identity. It is 1967, Viola and Bastian are the Wonder Twins of Boac, Marinduque. They sing! They dance! And they want to be in showbiz! So they pack up and head for Manila where the big film studios keep on searching to discover the latest star! But the hapless siblings are shipwrecked and Viola loses contact with her brother Bastian and believes him to be dead.

            Viola ends ep begging, disguised as a blind cripple selling sampaguita in Malate. But her new-found friend Juvy keeps on convincing her to audition, this time for Doc Orsino’s big-time studio Campanilla Pictures. Viola feels that her “magic” faded since she lost her borther and has little hope getting chosen. But this time, since Campanilla is looking for a male Elvis look-and-sound-alike, she decides to audition in male disguise to keep the spirit of her brother inside her.

            Doc Orsino sees Viola, disguised as Cesar, and offers her a job to be his Boy Friday. As his assistant, he sends her as an intermediary to his love-proposals to Olivia Nepomuceno, the last living owner of BLV Studios in the hope of striking a wedding and a merger of the two biggest film studios of the era.

            However things get complicated when Olivia Nepomuceno falls for Viola/Cesar while Viola is getting attracted to her boss Doc Orsino. Doc Orsino, in turn feels strange as he couldn’t explain his weird attraction to his own Boy Friday.

            At the climax of this romping comedy of errors, Luciano, the director of all time shallow but big-hit pop movies offers a solution to the rapid decline of film studios and movie-making in the late sixties. With Viola and Bastian now on the brink of obsolescence without even reaching stardom yet, he ushers in the era of Bomba!

            All is well that ends well. Or does it?      


Tuesday, November 20, 2012

ALADDIN (The New Stage Musical)


Catch ALADDIN on its closing weekend run!
December 8 / Saturday / 8PM 
Meralco Theater, Ortigas Ave., Pasig City

 
Contact Us:
Robert Ceazar Marzan  (0922.888.5348)
Jayme del Rosario (0927.202.2017)
or Onay Sales (0917.908.0565)



Ticket Prices:
Php1,500.00 – Orchestra Center
Php1,350.00 – Orchestra Side
Php900.00 – Orchestra Side Obstructed
Php1,100.00 – Loge Center
Php1,000.00 – Loge Side
Php700.00 – Balcony Center
Php600.00 – Balcony Side
Php500.00 – Balcony Back

Click HERE to view seat plan for the December 8, 8PM Schedule


ALADDIN
Music by Alan Menken
Lyrics by Howard Ashman, Tim Rice and Chad Beguelin
Book by Chad Beguelin

Based on the Disney film written by 
Ron Clements, John Musker, Ted Elliot and Terry Rosio

Starring
Tom Rodriguez as Aladdin
K-La Rivera as Princess Jasmine