Showing posts with label musicals in manila 2013. Show all posts
Showing posts with label musicals in manila 2013. Show all posts

Monday, October 28, 2013

Theater version of 'Maximo Oliveros' sees life 'through Maxie's eyes'


Original Article can be found HERE

Jojo Riguerra and Jayvhot Galang star in the theater version of 'Ang Pagdadalaga ni Maximo Oliveros.' Photos courtesy of 'Maxie the Musicale'
 

The 12-year old lad we loved in the hit 2005 film "Ang Pagdadalaga Ni Maximo Oliveros" is back...and who'd have thought that he can belt out a high note?


This November, Bit by Bit Company in cooperation with the PETA Theater Group and the Cultural Center of the Philippines will premiere "Maxie the Musicale," the stage version of the critically acclaimed film about a young effeminate lad who develops a crush on a young cop while staying loyal to his family of criminals.


"It's the movie, but not the movie. Kasi pag movie siya, parang feeling namin sasabihin lang ng audience, bakit kami pupunta diyan, e, mapapanood naman namin siya sa DVD," said librettist Nicolas Pichay.


"Kung ano 'yung nagustuhan natin sa Maxie, nandoon pa rin siya, pero siyempre if you let artists work on an adaptation, they will put in additional insights and stuff like that," he added.


Dexter Santos, the director and choreographer, said the adaptation process from film to stage was exciting because the aspects that the team loved about the film were translated into song and dance numbers.


"It was very, very conscious for everybody that we have to use the power of the theater," he said. "We have to use different kinds of experience—that it's alive and that it's there and it's something that you can really experience."


"Since it's gonna be a musical, there will be a lot of dancing, songs, and it's very, very important—ang minahal niyo sa Maxie [the film] is 'yung kurot ng puso; it's a coming of age film," he added.


The story is set in the streets of Sampaloc, Manila where Maximo Oliveros (Jayvhot Galang) resides with his loving family: father Paco (Roeder CamaƱag and Nazer Salcedo) and brothers Boy (Al Gatmaitan and OJ Mariano) and Bogs (Jay Gonzaga).


Just like in the movie, Maxie will develop a crush on handsome young cop Victor (Jojo Riguerra), who begins to suspect Maximo's relatives of criminal activities.






 
 


'Through Maxie's eyes'


Despite the musical's being set in a poor community, the set will be a blast of colors from lavender to pink and other hues to embody Maxie's joyful and energetic personality, said Gino Gonzales, the play's production designer.


"Realistically, we're depicting a depressed area. Pero this case, I'm doing it through Maxie's eyes, kung papaano niya nakikita 'yung mundo niya. So, it's really through rose-colored lenses," Gonzales said.


The stage will be multi-level, using the second level and the entrances from both sides of the theater, because of the PETA Theater's small stage.


"So, every nook and cranny ginagamit namin, pati backstage, nandoon 'yung band. Tapos we're creating multi-levels to present the shanties [and] we're connecting them to the balconies," he said. "Meron din akong resistance on my part to do a very realistic set. So, it's a stylized set through Maxie's eyes. It's actually a heart-shaped set, pero puro barong-barong tapos maraming transparencies so you can see what's happening behind it."


Furthermore, Gonzales said, "I'm using screens, parang net material but printed with tabloid images, instead of using mga yero at saka mga kahoy na nabubulok which is typical of how they portray the shanties."


"Kasi, diba ang tabloid world is a good representation of what the world feels like," he added.


It's Jayvhot's time to shine


With his vocal prowess and resemblance to Nathan Lopez, who portrayed Maxie in the film, it's no wonder that Jayvhot Galang, who was discovered via a trending video on the internet, was cast to play the lead role.


"Madali lang naman po 'yung role para sa'kin kasi ayun na po ako. Pero may binabago lang po kasi, ayun nga po, medyo maldita ako, kasi po si Maxie sweet," said the young actor.


"Kasi si Maxie hindi lang po sarili 'yung iniisip niya, iniisip niya rin po 'yung mga taga-Sampaloc o ang nasa paligid niya at hindi siya makasarili—kung anong meron siya, binibigay niya," he added.


The 15-year-old belter from Sta. Ana, Manila has appeared on TV talent shows. He hopes that his theater debut will be his road to stardom, as he has always dreamt of becoming an actor.


"Very challenging kasi first ko sa theater. Hindi naman ako pinapagalitan para lang mapagalitan ng direktor namin—gusto naman po niya na maging magaling ako at balang araw, hindi man ito 'yung time para sumikat ako, baka next show," he said.




Al Gatmaitan, Galang and Jay Gonzaga as the Oliveros brothers

 
 
Getting lost in Sampaloc


It was not the easiest job for William Elvin Manzano, Janine Santos, and JJ Pimpino, the people behind the music of "Maxie," to come up with the perfect songs for the play. But an unplanned visit to Sampaloc helped them.

"Naligaw kami, dumaan kami ng Sampaloc at nakita namin 'yung mga bata na nagkakalkal ng basura, nagdiya-diyaryo-bote tapos nagkakalkal ng mga metal para ibenta nila, nagbabasketbol nang nakahubad at walang pakialam na matamaan nila 'yung mga kotse or whatever," said Santos. "Doon namin naisip na this is how Sampaloc sounds like. It has to be grungy, it doesn't sound Western at all, it has to be very local, it has to be very Pinoy, kung ano 'yung naririning nila sa radyo, nakikinig sila ng Salbakuta, ng Regine Velasquez.


"We made sure na kapag nag-formulate tayo ng kanta, kung ano talaga 'yung katauhan ng Sampaloc, 'yun dapat yung ma-reflect. Na-encompass po namin lahat ng genre ng OPM. Meron kaming kundiman, rap, meron din kaming VST & Company, meron din kaming hiphop, metal, love song, at lullaby. Lahat po talaga dinaanan namin pero we made sure na OPM siya," he added.


 
Catch Maxie The Musical on December 7 | Saturday | 8PM
Ticket Prices: 1200 (VIP), 1000 (Orchestra)
and 800 (Balcony)

For reservations, contact:  Onay 0917.908.0565
Robert / RC Marzan 0922.888.5348
Jayme del Rosario 0927.202.2017
Ma-Ann Alimagno 0917.593.5895
 

Sunday, October 6, 2013

‘Maxie The Musicale’ –‘It’s the movie but not the movie’

By

Original Article can be found HERE

Darwin Mariano and Carlo Francia (producers), JJ Pimpinio, Janine Santos and William Elvin Manzano (composers), Nicolas Pichay (playwright and lyricist) and Dexter Santos (director-choreographer)

Curtains will open a month from now, but the buzz has it that theater showbuyers have been lining up for months to get a piece of the action. The main attraction is “Maxie The Musicale,” a stage adaptation of the indie film hit “Ang Pagdadalaga ni Maximo Oliveros.”

 
Jayvhot Galang as Maxie

The Cinemalaya film explores the coming-of-age story of a young gay boy and his crush on a twentysomething police officer. That Maxie, the young hero, comes from a family of petty thieves who are on the radar of the crusading Victor, adds a Romeo-and-Juliet spin to the tale. 

The musical’s cinematic origins and the film’s huge fan following have triggered huge interest for the theatrical production. At the same time, they have also made potential audiences ask: How faithful—or different—will “Maxie The Musicale” be vis-a-vis its source material? 

Darwin Mariano, the musical’s executive producer, quotes playwright and lyricist Nicholas Pichay for an answer: “It’s the movie—and it’s not the movie.”
 
Original choice
Fidelity could be guaranteed by the fact that Pichay was the choice of the original film producers to adapt the movie to the stage. The playwright also consulted with the the movie’s screenwriter, Michiko Yamamoto. Directing the production and providing choreography is Dexter Santos. 

 
JOJO Riguerra (Victor) with Raymond Lee
(producer of “Ang Pagdadalaga ni Maximo Oliveros”)


“We will follow the story,” says Mariano. “But we do want to maximize the fact that it’s now a stage play, and there are a lot of things you can do in the theater and not on film.” 

Among them are 26 musical numbers (so far), consisting of a wide variety of styles from the boisterous “Tabo-Tabo” that has cops and criminals dancing (separately) in the showers of a prison station; the bittersweet “Pelikula” that has Maxie escaping into the fantasy world of film; and the poignant “Love Letter,” where Maxie finally confesses his feelings to Victor. 

What remains intact is the spirit of the movie. “It’s about the loss of innocence,” says Mariano. “All of us have that period in our lives when we see that the world is not perfect, our parents have flaws… The story captures that very well.  The movie is about love, and it’s not about the gay angle. That Maxie is a gay boy is not an issue, but the fact that he happens to belong to a family of crooks. If the main character were a little girl, the movie would have worked as well, I think.”

At the same time, Mariano concedes, “We are benefiting from a time when gay-themed material is not as scandalous anymore as it was years ago.”

Last-minute casting
Jhayvot Galang, the 14-year-old who plays Maxie, is an openly gay boy accepted by his family. His was a last-minute casting that just might spawn a star turn. For months, the producers and artistic team could not find their main hero, until a friend posted on their Facebook wall a video of the young Galang auditioning in a noontime show. What Mariano saw impressed him so much that he tracked the boy’s address to his home in San Andres, Manila, and personally asked him to audition. 

“The minute he sang his first note, we knew we had our Maxie,” says Mariano. Galang was then sent to do the rounds of theater workshops to develop his acting and singing skills. 

Jojo Riguerra, who plays Victor, is a model and a theater actor who has done work for Gantimpala Theater and other companies. Aside from his thespian abilities and attractive features, what sold him to the artistic team was his six-foot height. 

“That was necessary to underline the disparity in the ages of Victor and Maxie,” says Mariano. Santos, who was in New York when they were casting for Victor, did the auditions through Skype. 

Positive response
Rehearsals are in full swing for the Nov. 9 opening, and the songs (by William Elvin Manzano, JJ Pimpinio and Janine Santos) and material are being fine-tuned. Mariano says he wants “a fun show that is movement-heavy… and with humor, power and delicacy.” 

He is happy that many are responding positively to news about the musical. Along with his business associate Carlo Miguel Francia, Mariano has been an active showbuyer of productions such as Dulaang UP’s “Orosman and Zafira” and New Voice Company’s “The Vagina Monologues.” “Maxie The Musicale” is the first show they are producing, and Mariano hopes it won’t be their last. 

“Right now, the economy is good, that’s why theater is growing and the middle class is watching,” he says. Beyond the businessman in him, though, is the dramatic arts buff who regularly trooped to the Cultural Center of the Philippines in his high school and college years to watch plays produced by Tanghalang Pilipino. 

“We have no illusions about being groundbreaking,” Mariano says. “We don’t want to produce Broadway material because there are already many who are doing that. We want to showcase Filipino talent—and we want to produce Filipino material.” 


Catch Maxie The Musical: on December 7 | Saturday | 8PM
Ticket Prices: 1200 (VIP), 1000 (Orchestra) and 800 (Balcony)

For reservations, contact:  Onay 0917.908.0565
Robert / RC Marzan 0922.888.5348
Jayme del Rosario 0927.202.2017
Ma-Ann Alimagno 0917.593.5895
 

Monday, September 23, 2013

Review: Atlantis turns 'Carrie' from flop to hit

By Vladimir Bunoan, ABS-CBNnews.com
Original Article can be found HERE


Mikkie Bradshaw as Carrie in the bloody prom scene of the stage musical "Carrie." Photo from the Facebook page of Atlantis Productions

MANILA -- Atlantis Productions' stage musical version of Stephen King's "Carrie" opened to a prolonged standing ovation on Friday despite its notorious reputation as one of Broadway's biggest flops when it first opened in New York in 1988.

The ecstatic audience response in Manila was a vindication for book writer Lawrence D. Cohen, who was the special guest on opening night at the RCBC Plaza in Makati, where "Carrie" will run for three weekends until October 6.
During curtain call, an obviously emotional Cohen thanked "the gifted and fearless" director Bobby Garcia and the entire production team "who have done justice and credit to 'Carrie' anywhere in the world."

Cohen, who also wrote the screenplay for the 1976 movie directed by Brian de Palma, noted that "Carrie," based on King's debut novel, "has become more resonant now than when it was written 40 years ago and when the movie came out. It's found some astonishing way, I think, to touch us and move us and, most of all, hold the mirror up and remind us what it is to be human."

"We are so lucky to have Bobby and this incredible company to remind us that 'Carrie' speaks a really important truth that we all need to stand in other people's shoes, that we need to have empathy for each other and, most of all, whoever we are and wherever we live, we are all connected," Cohen said in his speech.

The stage musical "Carrie" didn't get this kind of acceptance from either audiences or critics when it premiered in 1988 and ran for only five performances. A 2012 revival of the show, a massive reworking of the original with some entirely new songs, got a better response but its reputation has been so soaked in hatred -- Time magazine at that time even made a poll of theater critics to see if "Carrie" was indeed the worst musical of all time (it wasn't) -- such that The Hollywood Reporter advised its creators "to just embrace their battered creature for the freak that she is."

As such, it was surprising when Atlantis Productions announced that it was including "Carrie" in this year's lineup. But Garcia apparently was among those who saw something admirable about the much-maligned musical.

In a Facebook post before Friday's opening night, Garcia wrote: "25 years ago, I fell in love with this musical. And here we are opening the first international production with an amazing group of people on stage and off. Feeling like that 18-year-old who saw the show in 1988. Blessed, grateful and inspired."

"Inspired" is an apt description for Garcia's reworking of the musical. With Otto Hernandez's creepy set design of a decaying barn house, with high windows that suggests an old church and prison bars at the same time, moodily lit by Martin Esteva, "Carrie" opens silently as the cast enters the stage one by one.

Old discarded black-and-white TVs then run a home-made video of the prom a la "The Blair Witch Project" capturing the mayhem that ensued before cutting to a video of a police interrogation of a student, Sue Snell (Yannah Laurel), as she recounts the tragedy.

This interrogation frames the entire musical, which is composed of flashbacks leading to the movie's famous prom scene with Carrie drenched in pig's blood, the culmination of a series of cruel jokes played on her by her classmates at high school, which unleashes horror on her tormentors.

The real horror on display here isn't so much a teen freak with special telekinetic powers but the bullying that occurs to kids who don't fit into the popular teen mindset. Indeed, with news rife with tragic tales of bullied kids who are led to suicide, "Carrie" resonates to a modern audience who were too young -- or perhaps they were not even born yet -- when the movie spooked audiences in 1976.

Carrie (played by young actress Mikkie Bradshaw) isn't scary per se (although Bradshaw gives her a mean stare) but more of an un-cool outsider with her extreme religiosity, frumpy clothes and sullen posture. She has been raised by a righteous, religious fundamentalist mother (Menchu Lauchengco-Yulo), who in shielding Carrie from sin also deprived her of a sense of normalcy.

These characterizations helped lift "Carrie" from being just a tale of paranormal revenge as it highlights more the psychodrama that has forced this tormented teen to use her psychic abilities with disastrous results. The result is a moving, engrossing dark musical that is intimately emotional yet grandly theatrical at the same time.

The prom climax was thrillingly staged with collapsing set pieces, effective visual projections and red lighting, but it was the scene after that with a blood-drenched Carrie seeking refuge with her mother that was more chilling.

Apart from the affectionate directorial handling, the performances of Bradshaw and Lauchengco-Yulo proved to be a key winning element to this staging's success. Bradshaw, in her first lead role, shows precision in her singing, making her duets with the vastly experienced Lauchengco-Yulo very powerful. Bradshaw also makes Carrie less of a weirdo to make the audience root for her.

Lauchengco-Yulo has the more difficult task with her role as the strict, nearly mad mother. It's easy to make Margaret into a monster mom, a tyrannical Christian, but the veteran actress managed to make the audience understand her character. Margaret, like Fosca in Stephen Sondheim's "Passion," which Lauchengco-Yulo also played, isn't at all likable but if handled well, can evoke some sort of pity despite her flaws.

This is what Lauchengco-Yulo achieved in "Carrie." Moreover, she is also given the play's most dramatic songs -- the terrifying "And Eve Was Weak" and the sad "When There's No One" -- which Lauchengco-Yulo turns into show-stopping numbers.

The songs, made by the tandem of Michael Gore and Dean Pitchford ("Fame," "Footloose"), are actually uneven with some overly dramatic and bombastic ensemble numbers but there are some melodic ballads here which are radio-friendly enough, like the duet "You Shine" sung with pop polish by Laurel and Markki Stroem, who also gave "Dreamer in Disguise" a laidback singer-songwriter feel.

But "Carrie" is definitely a group effort and despite some minor scenes with pops of unnecessary humor, the ensemble was, on the whole, realistic, sticking with the play's dark theme without overplaying it.

Atlantis' success with "Carrie" proves that even a musical that's been butchered on Broadway can have some sort of redemption.

   
Catch CARRIE on its closing weekend run! 
OCTOBER 5, 2013 / SATURDAY / 8PM /RCBC 
Ticket Prices: 1700, 1600, 1300, 800 and 700

 Contact:   
RC Marzan 0922.888.5348 
Onay Sales 0917.908.0565

View Available Seats Here: 
https://docs.google.com/spreadsheet/ccc?key=0Au4HQl0TAAC_dC1RLVVKbmZXNzViSXVLeWJKakIxNEE#gid=0



SHE Rocks: Menchu Lauchengco still enjoying theater after 15 years







Photo courtesy of Atlantis Productions.


What else can you do after you’ve earned the title “First Lady of Philippine Musical Theatre,” and you’ve wowed critics by playing practically all the challenging roles available to stage artists?

You don’t rest on your laurels. Not when you’re Menchu Lauchengco-Yulo.
Voice coaches Jai Sabas in the Philippines and another one in New York, among others help Menchu keep her voice pitch-perfect for musicals.

“You could do things that could hurt your voice, especially in this country where you end up singing songs not necessarily in your vocal range. So you have to go back to your voice coach, ” she explains.

Menchu also makes sure she rests her voice to prepare it for all the singing and even screaming she does on stage.

“You need discipline. You don’t party after rehearsals and just go home and rest. You have to take care of your body.”

Menchu needs all the energy she can get in the upcoming production of “Carrie” the musical where she plays deranged mom Margaret White who cries and shouts – in song – all at the same time.

“It’s fifth gear in every scene. I get mad and I’m screaming. It’s one of the hardest roles I’ve ever done. This is another level of difficulty. It’s such an intense role.”

It’s so intense it even requires her to slap Mikkie Bradshaw – who plays Carrie, the teenage girl equipped with telekinetic powers that frightens her mom so.
The role can sap the energy of the most hyper actor, and Menchu is no exception.


Cartoons to relax
What does she do?

“I watch cartoons,” she smiles.

Cartoons – and the love for her craft – keep Menchu going.

“I like to accept roles that stretch and challenge me. I have no time to relax. I’m on my toes. I want to do justice to every role. You wanna push yourself constantly.”

Menchu has been pushing herself constantly since age 15, or 35 years ago, when she started in theater.

Theater has been her “happy place,” and Menchu feels blessed she can go back to her comfort zone anytime she wants. The good roles just land on her lap, and for that she feels “lucky and honored.”

“I’ve been very blessed. It would be wrong to complain.”

Menchu’s followers – who have seen her grow up in theater – are enjoying the journey along with her.

 
Catch CARRIE on its closing weekend run!  
OCTOBER 5, 2013 / SATURDAY / 8PM /RCBC  
Ticket Prices: 1700, 1600, 1300, 800 and 700 
 
 Contact:   
RC Marzan 0922.888.5348  
Onay Sales 0917.908.0565 
 
View Available Seats Here: 
   


Monday, March 25, 2013

ROCK OF AGES: Tickets Now Available!


ROCK OF AGES (THE REPEAT)
JULY 27, 2013 / SATURDAY / 8 PM / RCBC
Closing Weekend Run

This 2013, Atlantis Productions is bringing back “Rock of Ages,” the acclaimed five-time Tony Award nominated Broadway musical. This is a hilarious, feel-good love story told thru such ’80s hits like “I Want To Know What Love Is,” “Don’t Stop Believin’,” “We Built This City,” “Hit Me With Your Best Shot,” and “Every Rose Has Its Thorn.”

With a book by Chris D' Arienzo, built around classic rock hits from the 1980's, especially from the famous glam metal bands of the decade. The musical features songs from Styx, Journey, Bon Jovi, Pat Benatar, Twisted Sister, Steve Perry, Poison and Asia, among other well-known rock bands.   

RESERVE YOUR SEATS NOW!

View Seat Plan HERE:



 
Catch it on its closing weekend run!
JULY 27, 2013 / SATURDAY / 8PM /RCBC
Ticket Prices: 2000, 1750, 1500, 900 and 700
 
Contact Us:
Robert Ceazar Marzan  (0922.888.5348)
Jayme del Rosario (0927.202.2017)
  Onay Sales (0917.908.0565)

Buena Elizondo (0917.888.7179)
   


One of the most celebrated Filipino films that has ever graced the Philippine Cinema has been transformed into the most heart-warming musicals ever written, HIMALA (Panibagong Pagtingin sa Mukha ni Elsa) now celebrates its 10th anniversary celebration,and is now reinvented into a musical concert - Himala, A Celebration of the Musical.

Rating:
image

Production Details:
  • Production Company: Touchworkx Group, Inc. & PETA Theater Center
  • Direction: Soxie Topacio
  • Playwright and Lyricist: Ricky Lee
  • Composer, Lyricist and Musical Director: Vincent de Jesus
  • Production Design: Gino Gonzales
  • Choreography: Carlon Matobato and Jay Cruz
  • Piano Arrangement and Asst. Musical Director: Jed Balsamo
  •  
  • Cast: May Bayot-de Castro, Isay Alvarez-SeƱa, Cynthia Culig-Guico, OJ Mariano, Mia BolaƱos, Kalila Aguilos, Myke Salomon, Lionel Guico, Melvin Lee and Dulce. Together with Angeli Bayani, Bong Cabrera, Joann Co, Mayen EstaƱero, Neomi Gonzales, Carlon Matobato, Red Nuestro, Onyl Torres, Kenjie Villacorte and John Kenneth Cuare. Featuring Viva Voce and UST Singers Alumni.

Plot: In the remote village of Barrio Cupang, a young girl named Elsa claims that the Virgin Mary has spoken to her during a solar eclipse. She reveals her vision and starts healing people. Soon, Elsa becomes a national figure. Hundreds of pilgrims and curiosity seekers invade her village and forces townsfolk to examine their own beliefs. 

HIMALA is a story of faith, of truth and delusion, and of man’s endless quest to find something, and someone, to believe in.

  • Best Characters: Elsa, Nimia and Chayong
  • Best Scene: The ‘Ang Himala ay Nasa Puso’ number would probably the most iconic scene ever written, both in the movie and stage version of Himala.
  • Best Actor: Dulce is marvelous in playing Aling Saling, mother of Elsa. She hits those critical notes perfectly and really draws the audience into her when she’s on stage. She’s not dubbed the ‘Asia’s Diva’ for nothing. Also, fresh from KATY!, Isay Alvarez-SeƱa is outstanding as she usually is. She plays Nimia, one of Elsa’s best friends who lost track on her faith. She definitely gives everything she’s got to offer in her performance as the strong-willed Nimia, especially in the ‘Ako Ang Tunay Na Birhen’ number. It’s like seeing her Gigi performance again!
  • Notable Performances: Maybe May Bayot wasn’t in her A-game during the performance so the others stood out instead of her Elsa. But, as to what we’ve heard, the succeeding shows during the opening week, May was phenomenal! Now that’s the 2004 Aliw Award Best Actress in a Musical Role giving her tour de force portrayal of Elsa. Note: Don’t forget to pull out your Kleenex when Elsa sings Magpakita Kang Muli!
  • OJ Mariano (Orly) is currently going places and we’ll be definitely seeing him more often than not. OJ is the real deal when it comes to casting lead actors for a musical. He plays Orly, the young filmmaker who captures the miraculous Elsa through his camera’s lens. And we would want to see more Cynthia Culig-Guico’s (Chayong) heartfelt performances in the Philippine theater scene.
  • Direction: The show is intended to be in concert style. Yes, we know you guys are thinking more like Les Miz 25th-ish kind. We’re sorry to disappoint you guys but no - because you’re seeing more than just a concert! Soxie Topacios’ vision on this anniversary concert is like seeing the actual show itself! We’re guessing that this would not be called a concert if it weren’t for the uber-talented singers of Viva Voce and UST Singers Alumni singing along with the whole company.
  • Set/Lights: The production design is very minimal but it really works. The lithe chiffon, a thin tree branch and few tumbleweeds, along with the intimate lighting gave the production a more eerie, sincere vibe, rather than being extravagant and being concert-ish.
  • Music, Lyrics and Book: Vincent de Jesus is a genius! His music sends out very genuine melodies, along with Ricky Lee’s lyrics and his own. The music is overwhelming to the ears and the lyrics punches you right at the heart! On the other hand, Ricky Lee’s brilliant book conveys a different Himala. No, we’re not watching the critically-acclaimed movie set on a stage all over again. We’re seeing a different perspective folks - yes, some of the most memorable scenes from the flick are still there but the musical now raises the questions: What happens when people are faced with the miracle that they’ve long been searching for? How do they react? What do they believe in? 
  • Why You Should Watch It: This musical event may not happen again - ever. Everyone should definitely catch HIMALA, A Celebration of the Musical. Be moved by the music, be inspired by the book and be amazed by the performances. This is more than just a concert, we tell you.

  • Watch HIMALA (A Celebration of the Musical)
     on its closing night MARCH 24, 2013 | SUN |  8PM @ PETA    
    Ticket Prices: 2000 (VIP Orchestra), 1000 (VIP) and 650 (Balcony)   
     
    For reservations, contact: Onay Sales (0917.908.0565) 
    RC Marzan (0922.888.5348)  
    email: ronaleans@yahoo.com
     
     

Friday, February 22, 2013

HIMALA: The 10th Anniversary Celebration of the Musical


Thirty years after the film was first shown to Philippine audiences, Himala still remains as one of the most celebrated Filipino films ever made.  

This March, listen, learn and be moved as May Bayot, Isay Alvarez and Cynthia Culig-Guico bring to life Elsa’s story through the music composed by Vincent de Jesus in  HIMALA – A CELEBRATION OF THE MUSICAL

 
 
Watch HIMALA (A Celebration of the Musical)  
on MARCH 24, 2013 (SUNDAY),  8PM at the PETA PHINMA Theater  Ticket Prices: 2000 (VIP Orchestra), 1000 (VIP) and 650 (Balcony)
For reservations, contact: Onay Sales (0917.908.0565)
 email: ronaleans@yahoo.com
 

PROFILES:
 

VINCENT DE JESUS is a multi-talented, multi-awarded composer/lyricist, musical director and musical scorer whose body of work includes theater, television, advertising and film projects. He has been recognized by the industry and honored with three Urian Awards, two Golden Screen Awards, two Star Awards and one Film Academy of the Philippines Award for Best Achievement in Music . Vincent is also a celebrated writer having received the Carlos Palanca Memorial Award for Literature and is a member of the Writers’ Bloc Inc. Truly a man of many talents, Vincent is also an actor, singer, musician, director, record producer and a teacher for musical theater. He has been a member of the Philippine Educational Teacher Association since 1985.

RICKY LEE is perhaps the most prolific and most celebrated film writer of his generation. Since he began writing in 1973, he has completed over 150 film scripts which have been brought to life by some of the country’s most respected actors and film directors including Lino Brocka, Ishmael Bernal, Marilou Diaz-Abaya, Laurice Guillen, Olivia Lamasan, and Mel Chionglo. He has received over 50 trophies from the film industry’s various award-giving bodies and was honored by the Manunuri ng Pelikulang Pilipino with the Natatanging Gawad Urian Lifetime Achievement Award in 2003. He has also received international acclaimed in international film festivals in Cannes, Toronto, and Berlin among others, where a number of his films have been screened. Ricky is also a fictionist, journalist and playwright.

MAY BAYOT was already considered one of the country’s best vocalist as the lead singer for the band ACOUSTIC JIVE when she set foot onstage to take part in her first musical. It was her tour de force portrayal of Elsa In Himala the Musical that established her as one of the most gifted performers in the Philippine Musical Theater industry. Her performance was so well received that she won the Best Actress in Musical Role award from the Aliw Awards. She was also given the first Gawad Buhay citation for Best Actress in a Musical Role. Truly a versatile performer, May is also a core member of Transitopia Contemporary Dance Commune.

ISAY ALVAREZ first gained international attention as one of the lead cast members of the London Production of Miss Saigon. Since then, Isay has become a moving force in the Philippine Theater industry while still being actively involved in international productions. Isay and her husband, Robert SeƱa, have harnessed their joint experiences on the global theater stage to produce shows and albums. Not one to rest on her laurels, Isay has also become one of the busiest film and television actresses.

CYNTHIA CULIG-GUICO has enthralled audiences in the US, Canada, Scotland, Spain, France, Italy, Japan and Germany as the soloist and lead actor in numerous concert and stage productions. She received her Bachelor of Music Degree in Voice from the UP College of Music. Cynthia has chosen to “pay it forward” by teaching aspiring performers at the Philippine Opera Company, Trumpets’ Playshop and the Miriam Music Center.

Wednesday, February 20, 2013

BOAC: Bring Old Books and Get 20% Off!



Buy tickets to the March 2 / Saturday / 8PM schedule of D WONDER TWINS OF BOAC and get 20% discount when you donate any book/s for BOOKS FOR A CAUSE.

Books For A Cause (BFAC) is an advocacy that aims to provide precious knowledge to every Filipino and increase literacy through continuous learning.

The initial beneficiaries are the PEOPLE, CHILDREN and OUT-OF-SCHOOL-YOUTHS of Cuyapo, Nueva Ecija, specifically those from the remote places of Baloy and its neighboring barangays who never had a library in their lifetime.

BFAC accepts used textbooks or any reference books and learning materials including children’s books, dictionaries and Encyclopedias. The books you share will certainly make a BIG difference.

For more details about BFAC, visit http://www.booksforacause.net/ or like their FB page: https://www.facebook.com/booksforacauseph/info

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Read some of the praises, raves and reviews about BOAC here:

http://www.watchplays.blogspot.com/2013/02/boac-praises-raves-and-reviews.html


 
Catch it on its closing weekend run
MARCH 2, 2013 / SAT / 8PM / PETA
Ticket Prices: 1000, 800 and 600
 
Contact Us:
Robert Ceazar Marzan  (0922.888.5348)
Jayme del Rosario (0927.202.2017)
  Onay Sales (0917.908.0565)

 

Tuesday, February 19, 2013

BOAC: Praises, Raves and Reviews

 
"D' Wonder Twins of Boac should become choice viewing for all who love a good laugh, excellent scripting, and grand emotional musical numbers."
-PEP

"This is theater at its best.
This is theater as it should be"
-Manila Standard Today

  
 
"Much more than educational entertainment, it arms its audiences with insight, incites them to action, and spurs them off to the real world to rewrite the story of our times. And it doesn't hurt that this play provides laughter and song with its tonic of truth."
- Rappler


There may be a need for plays like “D' Wonder Twins of Boac” to help us understand that our task of remembering is to make us think of a different future. It is a future where the cycles of the past are broken in favor of a cinema that both inspires and entertains." 
- GMA News 
 
 
 
"Their punchlines...were delivered with timing and at the most unexpected circumstances.  It filled the theater with laughter."
-bulatlat.com

"D Wonder Twins of Boac not only experiments with contrasting eras and tackles the fine line dividing drama and comedy, it also illustrates the inner workings and complex tapestry of the Philippine film industry."
-Philippine Online Chronicles

 

"What I really, really appreciate when Philippine Educational Theater Association (PETA) adapts  a work - whether it be opera (TOSCA), a historical novel (NOLI AT FILI), a person's biography (BATANG RIZAL), children's play (LOLA BASYANG) - is that they know where to draw the line between respecting the original material and then in a very out-of-box way, make the material their own.  Such was the case with  D WONDER TWINS OF BOAC.”

"...in the case of  D WONDER TWINS OF BOAC, it's different with Cris Villonco's,  who played the cute and adorable as the feisty probinsyana Viola and the handsome Cesar. Far from her classic or classy ingenue roles, she was able to portray a character na makamasa.  Her accent was very crude, something you don't usually expect from someone with her breeding. "

"..delicious dollops of sweet melodies, spicy sexual innuendos, and gender bending hilarity...You don't have to be a student bused in for a school requirement to watch this show. D Wonder Twins of Boac is a show you will want to see just for sheer entertainment."

 
Catch it on its closing weekend run
MARCH 2, 2013 / SAT / 8PM / PETA
Ticket Prices: 1000, 800 and 600
 
Contact Us:
Robert Ceazar Marzan  (0922.888.5348)
Jayme del Rosario (0927.202.2017)
  Onay Sales (0917.908.0565)